“That’s Clearly Over The Line”
It’s an amazing era to be alive, mostly because You Tube has archived our most embarrassing moments in perpetuity. This morning I was forwarded a video of my childhood nemesis, Lawrence Welk, the man my parents chose to watch instead of “The Six Million Dollar Man” on our only TV. Welk’s wholesome blend of gospel, orchestral, and country music was inflicted on America for more than twenty-seven years before it was perpetrated again on that generation’s offspring in the form of endless syndication on PBS. The purity of The Lawrence Welk Show made Ed Sullivan look like Timothy Leary, yet clearly one of his producers let one slip past the goalie in this particular episode broadcast in early 1971. The duo of Gail Farrell and Dick Dale performed “One Toke Over The Line” as a gospel/country number… and with straight faces!
To appreciate the irony, it’s important to note that Brewer & Shipley’s song (and only hit) had just been banned by the FCC. The Vice President of the United States at the time, Spiro Agnew, had just named them personally as dangerous and subversive to American youth. On April 15, 1971, Rolling Stone magazine wrote that the song, “began a steady cruise up the charts – until the FCC issued it’s ‘reminder’ to broadcasters to know the meaning of songs that ‘tend to glorify or promote the use of illegal drugs such as marijuana, LSD, speed, etc.’ Now, at least half a dozen Top 40 stations have dropped the single.”
Explaining the meaning behind his lyrics, Michael Brewer said, “One day we were pretty much stoned and all and Tom says, Man, I’m one toke over the line tonight. I liked the way that sounded and so I wrote a song around it.” In fact, Shipley often introduced the song in concert as “our cannabis spiritual.”
How fitting, then, that Lawrence Welk looked on approvingly at the end of the song and said, “And there you heard a modern spiritual by Gail & Dale.”
There is something deliciously appropriate in seeing those who hold themselves up as paragons of virtue unwittingly switching sides for a moment. In a state of religious fervor, one of Welk’s producers must have heard the words “sweet Jesus” and “sweet Mary” and completely missed that Mary was actually Mary Jane. A song referencing pre-marital sex and smoking pot, sung by a woman dressed as a cowgirl as she bounces on the lap of a grown man? That is really “over the line.”